Körperteil (2015)
study for vocal ensemble (SATB)
Poem(s) of Absence (2013)
fragments for solo voice
(to be performed as part of Sounds of Absence)
topologie der sprache (2013)
for mixed choir (3 female, 1 mixed male/female, 1 male voice)
real (2013)
improvised text compositions for spoken voice solo, 3-5′
(also to be performed as part of NewsReal)
news – mini opera for a living room (2012)
for soprano, soundtrack and video text, 20′
(also to be performed as part of NewsReal)
text (2012)
text composition for spoken voice solo, 10′
(also to be performed as part of NewsReal)
Gestrandete Zukünftige (2009)
composition and arrangements for four female voices and ensemble (fl/picc, cl/b-cl, bsn/c-bsn, tba, perc, vln, clo, electronics), 30′
To be performed together with Peter Maxwell Davies’ “Miss Donnithorne’s Maggot”
director Amelie Beer, Theater Krefeld/Mönchengladbach
Aspekte (2007)
for four Cellos
order score
Tanz und Schatten (2006)
for violin solo
order score
Dawning (2006)
revised version for mezzo soprano, cello and piano
Impulse I (2006)
for piano and ensemble
Trio (2006)
for clarinet/bass clarinet, violin/viola and piano
composed for trio contrast (Christian Dollfuss, Klaus Esser, Christoph Hengst)
Introduktion (2006)
for viola solo
(also part I of Trio)
Interlog (2006)
for bass clarinet
(also part V of Trio)
Monotonie (2006)
for piano solo
(also part III of Trio)
New Layers Visible (2006)
for large orchestra
Silhouettes of Breathing (2005)
for string orchestra
order score
Atem. Puls.. Gedanken… (2005)
for double bass player (bass-baritone)
order score
Present Tense (2005)
for ophicleide solo
Dawning (2005)
for mezzo soprano, double bass and piano
Layers Visible (2005)
for ensemble
(un-)clarity (un-)wanted (2005)
for bass clarinet and piano
From a Normandy crucifix (2005)
for mixed choir SSATB a capella
get score
[…]-ism (2005)
for five amplified voices and ensemble
2 Studien (2004)
for piano and percussion
Loses Getose (2004)
for orchestra
Todesfuge (2004)
for soprano, alto, tenor, bass and mixed choir SATB a capella
Umnachtung, im Traum gefangen (2004)
for ophicleide solo (also tuba or bass clarinet)
Claire/Obscure (2003)
for brass quintet and drum set